Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting...Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: James Abbott McNeill Whistler (American, 1834-1903)Title: Miss Alexander Medium: Antique heliogravure on wove paper after the original oil on canvas by a Master Engraver. Signature: Signed in the plateYear: 1905Condition: ExcellentDimensions: Image Size 6 1/8 x 11 3/8 inches. Framed Dimensions: Approximately 15 x 20 inches.Framing: This piece has been professionally matted and framed using all new materials. Additional notes:This is not a modern print. This impression is more than 115 years old. The strike is crisp and the lines are sharp. The original oil on canvas is part of the Tate Collection. Extra Information:Cicely Alexander, daughter of a London banker, was eight years old when Whistler painted this original portrait. The artist exerted considerable control over the picture, posing the girl in the attitude of Manet’s Lola de Valence 1862, and designing her dress in detail. The portrait demanded over 70 sittings each lasting several hours. Cicely recalled: ‘I used to get very tired and cross, and often finished the day in tears.’ Not surprisingly, the picture was criticised for its departure from the more informal formats usually adopted for child portraiture. One critic called it ‘a disagreeable presentation of a disagreeable young lady’. Artist Biography: James James Abbott McNeill Whistler was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other leading artists and writers. Whistler was inspired by and incorporated many sources in his art, including the work of Rembrandt, Velázquez, and ancient Greek sculpture to develop his own highly influential and individual style. He was adept in many media, with over 500 paintings, as well as etchings, pastels, watercolors, drawings, and lithographs. Whistler was a leader in the Aesthetic Movement, promoting, writing, and lecturing on the "art for art's sake" philosophy. With his pupils, he advocated simple design, economy of means, the avoidance of over-labored technique, and the tonal harmony of the final result. Whistler has been the subject of many major museum exhibitions, studies, and publications. Like the Impressionists, he employed nature as an artistic resource. Whistler insisted that it was the artist's obligation to interpret what he saw, not be a slave to reality, and to "bring forth from chaos glorious harmony". During his life, he influenced two generations of artists, in Europe and in the United States. Whistler had significant contact and exchanged ideas and ideals with Realist, Impressionist, and Symbolist painters. The artist Walter Sickert was his pupil, and the writer Oscar Wilde was his friend. His Tonalism had a profound effect on many American artists, including John Singer Sargent, William Merritt Chase, Henry Salem Hubbell and Willis Seaver Adams (whom he befriended in Venice). Another significant influence was upon Arthur Frank Mathews, whom Whistler met in Paris in the late 1890s. Mathews took Whistler's Tonalism to San Francisco, spawning a broad use of that technique among turn-of-the-century California artists. As American critic Charles Caffin wrote in 1907: He did better than attract a few followers and imitators; he influenced the whole world of art. Consciously or unconsciously, his presence is felt in countless studios; his genius permeates modern artistic thought. During a fourteen-month stay in Venice in 1879 and 1880, Whistler created a series of etchings and pastels that not only reinvigorated his finances (this was after he'd declared bankruptcy following the Ruskin trial), but also re-energized the way in which artists and photographers interpreted the city—focusing on the back alleys, side canals, entrance ways, and architectural patterns—and capturing the city's unique atmospherics. In 1940 Whistler was commemorated on a United States postage stamp when the U.S. Post Office issued a set of 35 stamps commemorating America's famous authors, poets, educators, scientists, composers, artists, and inventors: the Famous Americans Series. The Gilbert and Sullivan operetta Patience pokes fun at the Aesthetic movement, and the lead character of Reginald Bunthorne is often identified as a send-up of Oscar Wilde, though Bunthorne is more likely an amalgam of several prominent artists, writers, and Aesthetic figures. Bunthorne wears a monocle and has prominent white streaks in his dark hair, as did Whistler. Novelist Henry James "had become well enough acquainted with Whistler to base several fictional characters on the 'queer little Londonized Southerner,' most notably in Roderick Hudson and The Tragic Muse". Whistler "also appeared as one of Henry James's most attractive minor characters, the sculptor Gloriani in The Ambassadors, whose personality, way of life, and even home are closely based on Whistler." Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |
Price: 162 USD
Location: Cape Coral, Florida
End Time: 2024-09-09T22:40:00.000Z
Shipping Cost: N/A USD
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Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
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Artist: James Abbott McNeill Whistler
Image Orientation: Portrait
Size: Medium (up to 36in.)
Signed: Signed
Date of Creation: 1900-1950
Certificate of Authenticity (COA): Yes
Framing: Framed
Subject: Figures
Type: Print
Listed By: Dealer or Reseller
Year of Production: 1905
Features: Framed, Matted, Signed
Production Technique: Heliogravure