Description: Selling this amp I purchased for my sound cart but never used. I have checked it out and everything is functioning as it should, If you have any questions please let me know. NOTE: The 2 pictures of the mixer on my sound cart are for demonstration purposes only.. nothing in the pictures is included other than the mixer. MANUFACTURERS DESCRIPTION: This 14x2x1 mixer includes Mackie's new XDR (eXtended Dynamic Range) mic preamps with sound quality matching or exceeding the performance of $500 to $2000-per-channel esoteric preamps. Features Ultra-low noise, highest headroom in its class 6 new precision-engineered XDR Extended Dynamic Range premium studio-grade mic preamps with: -Ultra-wide 0-60dB gain range -130dB dynamic range for 24-bit, 192kHz sampling rate inputs -+22dBu line input handling -Distortion under 0.0007% (20Hz-20kHz) Advanced DC-pulse transformer RF rejection 60mm long-wearing log-taper faders 14 line inputs (6 mono, 4 stereo pairs) Separate RCA-type tape/CD inputs and tape outputs (unbalanced) 2 aux sends with 15dB of gain above Unity Aux 1 pre/post Constant-loudness pan pots Switchable AFL/PFL Solo 2 stereo aux returns with EFX to Monitor switch Aux 1 master with Monitor/Post assign switch 3-band active EQ (80Hz, 2.5kHz, 12kHz) 18dB/oct. 75Hz Lo Cut filter eliminates stage rumble, wind noise, P-pops, and low frequency recording studio room resonances Extra ALT 3-4 stereo bus for submixes, separate recording, monitor, and "mix minus" feeds Control Room/Phones multi-input source matrix Phantom power for premium condenser mics Rugged steel chassis, sealed rotary controls Built-in power supply - no wall wart! About XDR: eXtended Dynamic Range Mic Preamps No matter how much you spend on a microphone, its ultimate performance depends on how it interacts with the preamp it's plugged into. Many high-end mic preamps can effortlessly amplify the slightest sonic nuance, creating an aural panorama that's breathtakingly realistic, excitingly vivid, and truly 3-dimensional in scope. For years they've provided fidelity that just hasn't been possible with the "stock" mic preamps built into mixing consoles. Until now. To develop the new XDR(tm) (eXtended Dynamic Range) mic preamp, Mackie's engineering team started with blank paper, concerned only with matching or exceeding the performance of $500 to $2000-per-channel esoteric preamps. They went through hundreds of iterations and revs and spent countless hours subjectively listening (and arguing). They started all over again several times. They scoured the world for rare parts. Then they spent more time critically listening and evaluating the design with every high-end microphone you can think of. Then they brought in veteran recording and live sound engineers for more exhaustive listening tests. What they ultimately ended up with is not just an awesome sounding design. XDR is also a) highly resistant to damage caused by "hot patching" (caused by routing a phantom powered mic through a patch bay); b) remarkably independent of cable-induced impedance variations; and c) able to reject extremely high RF levels without compromising high frequency response. Because a mic preamp must amplify faint one millivolt input signals up to a thousand-fold (60dB), its rectification components can also pick up radio frequency interference (RFI) from AM and FM stations, cell phones, and pager transmitters - even microwave ovens - and amplify them to audible levels. Mackie assaulted RFI on 3 fronts. First, they incorporate bifilar wound DC pulse transformers with high permeability cores that reject RFI but don't attenuate the sound at 15kHz and above. Second, they use carefully matched, high-precision components for critical areas of the XDR preamplifier. Third, they direct-coupled the circuit from input to output and used pole-zero cancellation constant current biasing (which also avoids increased intermodulation distortion at high common mode signal levels). Bottom line for the non-technical: you can use the new XDR mic preamps at the end of extremely-long cheap mic cables in an RFI-saturated urban environment while talking on your cell phone... without hearing a trace of RFI. If a mic preamp isn't designed right, it will actually sound different depending on the impedance of the microphone and the cable load! XDR's Controlled Interface Input Impedance system accepts an enormous range of impedances without compromising frequency response. 0.0007% Total Harmonic Distortion. The lowest ever in any compact mixer. Flat response. Not only are XDR mic preamps flat within a tenth of a dB across the bandwidth of any known microphone, but are also only 3dB down at an astonishing 192kHz! Super-low intermodulation distortion at very high operating levels thanks to instrumentation-style balanced differential architecture, linear biasing, and use of DC-coupled pole-zero-cancellation constant current that frees the mic preamp from power supply fluctuations. Think of the 1402 as an ultra-premium, esoteric mic preamp... that just happen to have really excellent compact mixers attached.
Price: 249 USD
Location: Tavares, Florida
End Time: 2024-09-06T20:10:26.000Z
Shipping Cost: 39 USD
Product Images
Item Specifics
All returns accepted: ReturnsNotAccepted
Number of Mic Inputs: 6
Number of Phono Inputs: 2
Input/Output Ports: Analog RCA/Coaxial Out, RCA In (AES3), RCA Out (AES3), XLR Out (AES3), Analog RCA/Coaxial In, XLR In, Analog XLR Out, XLR Out, Analog XLR In
Number of Buses: 2
Suitable For: Monitor, Front of House (FOH), Studio/Recording, Stage/Live Sound, Home Recording, Recording & Live Sound
Number of Channels: 14
Item Height: 0
Features: High-Pass Filter Function, Send/Return, Phantom Power, 3-Band Equalizer, PC/Mac Compatible, Built-in Power Amplifier, PFL/Solo Bus, Kill Switch, 2-Band Equalizer, Low-Pass Filter Function, Headphone Cue, Fader-Type Control, Powered
Number of Line Inputs: 4
Brand: Mackie
Type: Line Mixer
Model: 1402-VLZ PRO
