Intertextuality in Music: Dialogic Composition by Violetta Kostka (English) Pape

Description: Intertextuality in Music by Violetta Kostka, William A. Everett, Paulo F. de Castro Intertextuality in Music provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. FORMAT Paperback LANGUAGE English CONDITION Brand New Publisher Description The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. Intertextual techniques, as this collection reveals, have borne a wide range of results, such as parody, paraphrase, collage and dialogues with and between the past and present. In the age of sampling and remix culture, the very notion of intertextuality seems to have gained increased momentum and visibility, even though the principle of creating new music on the basis of pre-existing music has a long history both inside and outside the Western tradition. The book provides a general survey of musical intertextuality, with a special focus on music from the second half of the twentieth century, but also including examples ranging from the nineteenth century to the second decade of the twenty-first century. The volume is intended to inspire and stimulate new work in intertextual studies in music. Author Biography Violetta Kostka trained as a musicologist at the University of Pozna and received her PhD and habilitation from the Institute of Art of the Polish Academy of Sciences in Warsaw.Paulo F. de Castro, PhD, University of London (Royal Holloway), is Associate Professor and Head of the Musicology Department at Universidade Nova, Lisbon.William A. Everett, PhD, is Curators Distinguished Professor of Musicology at the University of Missouri-Kansas City Conservatory. Table of Contents Introduction: Violetta Kostka, Paulo F. de Castro and William A. EverettPart I. Musical Intertextuality: Defining the Field Lawrence Kramer, What Is (Is There?) Musical Intertextuality Nicholas Cook, Mashed-up Classics Michael L. Klein, Intertextuality and a New Subjectivity J. Peter Burkholder, Making Old Music New: Performance, Arranging, Borrowing, Schemas, Topics, Intertextuality Part II. The Intertextual Poetics of Music Violetta Kostka, Intertextual Poetics: From Ryszard Nyczs Theory to Pawe Szymaskis Music Katarzyna Szymaska-Stuka, Barbara Skargas Trace and Presence as an Intertextual Category in Music: The Case of Dariusz Przybylskis SchÜbler Choräle for Organ, Op. 48 Alexander Kolassa, Intertextuality and (Modernist) Medievalism in British Post-War Music Part III. In Light of Genettes Transtextuality Paulo F. de Castro, Transtextuality according to Gérard Genette " and beyond William A. Everett, The Geisha (1896) as a Locus of Transtextuality in Popular Musical Theatre Nils Grosch, Musical Comedy, Pastiche and the Challenge of Rewriting Part IV. Constructing Meaning through Intertextual Music Tijana Popovi Mladjenovi and Leon Stefanija, The Musical Text as a Polyphonic Trace of Otherness Mark Hutchinson, Strange and dead the ghosts appear: Mythic Absence in Hölderlin, Adorno and Kurtág Francesca Placanica, Constructing Cathy: Intertextuality and Intersubjectivity in Luciano Berios Recital I (for Cathy) Edward Venn, Findings, Keepings and Borrowings: Uncanny Intertextuality in Thomas Adèss Powder Her Face Details ISBN0367552914 Short Title Intertextuality in Music Pages 234 Language English Year 2023 ISBN-10 0367552914 ISBN-13 9780367552916 Format Paperback Publication Date 2023-01-09 Subtitle Dialogic Composition Publisher Taylor & Francis Ltd UK Release Date 2023-01-09 Author Paulo F. de Castro Imprint Routledge Place of Publication London Country of Publication United Kingdom Illustrations 3 Tables, black and white; 12 Halftones, black and white; 12 Illustrations, black and white AU Release Date 2023-01-09 NZ Release Date 2023-01-09 Alternative 9780367552909 Edited by William A. Everett DEWEY 781.1 Audience Postgraduate, Research & Scholarly We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! TheNile_Item_ID:139682244;

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