Description: FREE SHIPPING UK WIDE Human Rights In Camera by Sharon Sliwinski Examines the visual images that have accompanied human rights struggles and the responses people have had to them. This title considers a series of historical events, including the 1755 Lisbon earthquake and the Holocaust, to illustrate that universal human rights have come to be imagined through aesthetic experience. FORMAT Paperback LANGUAGE English CONDITION Brand New Publisher Description From the fundamental rights proclaimed in the American and French declarations of independence to the 1948 Universal Declaration of Human Rights and Hannah Arendts furious critiques, the definition of what it means to be human has been hotly debated. But the history of human rights—and their abuses—is also a richly illustrated one. Following this picture trail, Human Rights In Camera takes an innovative approach by examining the visual images that have accompanied human rights struggles and the passionate responses people have had to them.Sharon Sliwinski considers a series of historical events, including the 1755 Lisbon earthquake and the Holocaust, to illustrate that universal human rights have come to be imagined through aesthetic experience. The circulation of images of distant events, she argues, forms a virtual community between spectators and generates a sense of shared humanity. Joining a growing body of scholarship about the cultural forces at work in the construction of human rights, Human Rights In Camera is a novel take on this potent political ideal. Author Biography Sharon Sliwinski is assistant professor in the Faculty of Information and Media Studies and the Centre for the Study of Theory and Criticism at the University of Western Ontario. Table of Contents CONTENTS List of Illustrations Foreword by Lynn Hunt Introduction ONE The Spectator of Human Rights Textual versus pictorial evidence. Following the picture trail opens a view of the spectator of human rights whose task is to judge. Hannah Arendts return to Kant on the distinction between moral and aesthetic judgments. Adolph Eichmann exposes the frailty of judgment. Critiques of the spectator. Lyotards emphasis on dissensus in the sensus communis . The scene of human rights as a scene of aesthetic conflict. TWO Humanity from the Ruins: 1755 November 1, 1755: a beautiful and clear day . . . The Lisbon earthquake as the first international mass media event. "Truthful" versus "fantastical" representations. The sublime quaking of a worldview and the emergence of a notion of a common humanity. The quake frames later responses to atrocity. The Disasters of War . Goyas judgment: "They do not want to." Print pedagogy for the spectator of human rights. THREE The Kodak on the Congo: 1904 The first use of "crimes against humanity." King Leopolds atrocities in the Congo Free State. Early humanitarian responses. The intervention of the photograph. The phantasmagoric appeals of the Congo Reform Association. Dreaming of human rights. The first international human rights movement ends with a whimper. FOUR Rolleiflex Witness: 1945 Before there was the idea of the Holocaust, there were the pictures. Photographic evidence becomes the standard for claims of atrocity. Lee Millers reports for Vogue . The Dachau Death Train: images bear the mark of this horror. Testimony visualis , or, communication without understanding. Dignity and the "abstract nakedness" of being nothing but human. The "philosophically absurd" claims of the Universal Declaration. The time of our singing: political hymns of belonging. FIVE Genocide, Again: 1992 Genocide as "an exercise in community building." Lemkins linguistic invention and the legislation of international law. Yet neither visibility nor legibility could prevent the reoccurrence of this phenomenon. Yugoslavia: the first televised genocide. The barometer rises in Rwanda. A catalogue of breakdowns. Toward an ethics of failure. Coda Acknowledgment Notes Index Details ISBN0226762769 Author Sharon Sliwinski Short Title HUMAN RIGHTS IN CAMERA Pages 192 Language English ISBN-10 0226762769 ISBN-13 9780226762760 Media Book Format Paperback Year 2011 Imprint University of Chicago Press Place of Publication Chicago, IL Country of Publication United States Illustrations 29 halftones Birth 1975 UK Release Date 2011-10-15 Publication Date 2011-10-15 AU Release Date 2011-10-15 NZ Release Date 2011-10-15 US Release Date 2011-10-15 Publisher The University of Chicago Press DEWEY 700.458 Audience Postgraduate, Research & Scholarly We've got this At The Nile, if you're looking for it, we've got it. With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! 30 DAY RETURN POLICY No questions asked, 30 day returns! FREE DELIVERY No matter where you are in the UK, delivery is free. SECURE PAYMENT Peace of mind by paying through PayPal and eBay Buyer Protection TheNile_Item_ID:161784301;
Price: 41.46 GBP
Location: London
End Time: 2024-12-03T11:26:41.000Z
Shipping Cost: 2.76 GBP
Product Images
Item Specifics
Return postage will be paid by: Buyer
Returns Accepted: Returns Accepted
After receiving the item, your buyer should cancel the purchase within: 30 days
Return policy details:
ISBN-13: 9780226762760
Book Title: Human Rights In Camera
Number of Pages: 192 Pages
Language: English
Publication Name: Human Rights in Camera
Publisher: T.H.E. University of Chicago Press
Publication Year: 2011
Item Height: 233 mm
Item Weight: 302 g
Type: Textbook
Author: Sharon Sliwinski
Subject Area: Civil Service
Item Width: 167 mm
Format: Paperback