Description: Degas and the Business of Art : A Cotton Office in New Orleans, Hardcover by Brown, Marilyn R.; Degas, Edgar, ISBN 0271009446, ISBN-13 9780271009445, Like New Used, Free shipping in the US Edgar Degas's painting entitled A Cotton Office in New Orleans is one of the most significant images of nineteenth-century capitalism, in part because it was the first painting by an Impressionist to be purchased by a museum. Drawing upon archival materials, Marilyn R. Brown explores the accumulated social meanings of the work in light of shifting audiences and changing market conditions and assesses the artist's complicated relationship to the business of art. Despite the financial failure of the actual cotton firm he represented, Degas carefully constructed his picture with a particular buyera British textile manufacturerin mind. However, world events, including an international stock market crash and declines in the market for cotton and art, destroyed his hopes for this sale. It was under these circumstances that the canvas was exhibited in the second Impressionist show in Paris in 1876. While it received a more positive response than other works exhibited, its success was with the conservative audience. After considerable difficulty, Degas finally succeeded in selling the painting in 1878 to the newly founded museum in the city of Pau. The painting was probably regarded as an appropriate homage to the old textile manufacturing family who funded its purchase. It also appealed to progressive provincial and more cosmopolitan audiences in Pau. The picture's scattered form and atomized figuresin which some interpreters today read evidence of the artist's own ambivalence about capitalismseemingly contributed to its innovative cachet in Pau. But the private and public meanings of the painting had shifted, in discontinuous fashion, between its production and consumption. Under the circumstances, Degas's unfixed and even mixed messages about business became, among other things, his most successful (if unwitting) marketing strategy. The official recognition Degas received in Pau in 1878 heralded the gradual upswing of his own financial status during the 1880s, but his attitudes towards success remained mixed.
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Book Title: Degas and the Business of Art : A Cotton Office in New Orleans
Number of Pages: 168 Pages
Language: English
Publication Name: Degas and the Business of Art : a Cotton Office in New Orleans
Publisher: Pennsylvania STATE University Press
Item Height: 0.8 in
Subject: History / Modern (Late 19th Century to 1945), Individual Artists / General, Collections, Catalogs, Exhibitions / General, History / General
Publication Year: 1994
Item Weight: 33.7 Oz
Type: Textbook
Item Length: 11.3 in
Subject Area: Art
Author: Marilyn R. Brown
Item Width: 9.1 in
Series: College Art Association Monograph Ser.
Format: Hardcover
