Charlie Parker • Ornithology • 2CD • 2017 Factory Of Sounds Holland •• NEW ••

Description: TRACK LISTING DISC 1 1. Dream of you 2. Seventh Avenue 3. Groovin' High 4. All The Things You Are 5. Dizzy Atmosphere 6. Salt Peanuts 7. Shaw 'nuff 8. Lover man 9. Hot House 10. Hallelujah 11. Get Happy 12. Slam Slam Blues 13. Congo Blues 14. Moose the mooche 15. Yardbird Suite 16. Ornithology 17. A Night In Tunisia 18. Max making wax 19. The Gypsy 20. Be Bop 21. Dark shadows DISC 2 1. This is Always 2. Hot blues 3. Blow top blues 4. Cool Blues 5. Ralaxin' at Camarillo 6. Cheers 7. Carvin' the bird 8. Stupendous 9. Dexterity 10. Dongo bop 11. Dewey square 12. Bird Of Paradise 13. Embraceable You 14. Klact-Oveeseds-Tene 15. Scrapple from the apple 16. My Old Flame 17. Out Of Nowhere 18. Don't Blame Me 19. Drifting on a reed 20. Quasimodo 21. Charlie's Wig One of a handful of musicians who can be said to have permanently changed jazz, Charlie Parker was arguably the greatest saxophonist of all time. He could play remarkably fast lines that, if slowed down to half speed, would reveal that every note made sense. "Bird," along with his contemporaries Dizzy Gillespie and Bud Powell, is considered a founder of bebop; in reality he was an intuitive player who simply was expressing himself. Rather than basing his improvisations closely on the melody as was done in swing, he was a master of chordal improvising, creating new melodies that were based on the structure of a song. In fact, Bird wrote several future standards (such as "Anthropology," "Ornithology," "Scrapple from the Apple," and "Ko Ko," along with such blues numbers as "Now's the Time" and "Parker's Mood") that "borrowed" and modernized the chord structures of older tunes. Parker's remarkable technique, fairly original sound, and ability to come up with harmonically advanced phrases that could be both logical and whimsical were highly influential. By 1950, it was impossible to play "modern jazz" with credibility without closely studying Charlie Parker. Charlie Parker, who was early on influenced by Lester Young and the sound of Buster Smith, visited New York for the first time in 1939, working as a dishwasher at one point so he could hear Art Tatum play on a nightly basis. He made his recording debut with Jay McShann in 1940, creating remarkable solos with a small group from McShann's orchestra on "Oh, Lady Be Good" and "Honeysuckle Rose." When the McShann big band arrived in New York in 1941, Parker had short solos on a few of their studio blues records, and his broadcasts with the orchestra greatly impressed (and sometimes scared) other musicians who had never heard his ideas before. Parker, who had met and jammed with Dizzy Gillespie for the first time in 1940, had a short stint with Noble Sissle's band in 1942, played tenor with Earl Hines' sadly unrecorded bop band of 1943, and spent a few months in 1944 with Billy Eckstine's orchestra, leaving before that group made their first records. Gillespie was also in the Hines and Eckstine big bands, and the duo became a team starting in late 1944. Although Charlie Parker recorded with Tiny Grimes' combo in 1944, it was his collaborations with Dizzy Gillespie in 1945 that startled the jazz world. To hear the two virtuosos play rapid unisons on such new songs as "Groovin' High," "Dizzy Atmosphere," "Shaw 'Nuff," "Salt Peanuts," and "Hot House," and then launch into fiery and unpredictable solos could be an upsetting experience for listeners much more familiar with Glenn Miller and Benny Goodman. Although the new music was evolutionary rather than revolutionary, the recording strike of 1943-1944 resulted in bebop arriving fully formed on records, seemingly out of nowhere. Charlie Parker, who was a legendary figure during his lifetime, has if anything grown in stature since his death. Virtually all of his studio recordings are available on CD along with a countless number of radio broadcasts and club appearances. Clint Eastwood put together a well-intentioned if simplified movie about aspects of his life (Bird). Parker's influence, after the rise of John Coltrane, has become more indirect than direct, but jazz would sound a great deal different if Charlie Parker had not existed. The phrase "Bird Lives" (which was scrawled as graffiti after his death) is still very true. SHIPPING TO USA ONLY Buyer Pays Shipping $3.99 1st CD $3.99... each additional $1.50 CDs will only be combined with other CDs or DVDs To qualify for the combined discount, all items must be purchased together, paid for with 1 payment, and shipped all together in 1 shipment. Please use the add to cart feature, once you have ordered all your desired items, proceed to checkout to complete your order with the combined total.

Price: 11.99 USD

Location: Gold River, California

End Time: 2025-02-02T05:26:53.000Z

Shipping Cost: 3.99 USD