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BOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LP

Description: NOTE: MAIL RATES HAVE RECENTLY GONE UP A LITTLE RECENTLY, MY FLAT RATE ENCOMPASSES THAT WITH A LITTLE EXTRA TO COVER THE COST OF THE RECORD MAILERS. THANKS! I DO SHIP INTERNATIONALLY, PLEASE DOUBLE CHECK BEFORE BIDDING OR BUYING THAT IS SHIP TO YOUR COUNTRY. THE PHOTO'S MAY BE A LITTLE BLURRY (SORRY ABOUT THAT), BUT THE PHOTO'S ARE OF THE ACTUAL ITEM YOU ARE BIDDING ON OR BUYING. THANKS FOR LOOKING. FEEL FREE TO ASK QUESTIONS. NOTE: eBay HAS TAKEN IT UPON THEMSELVES TO REMOVE WHAT THEY CALL “OUTSIDE” LINKS, THESE ARE IN THE HTML DESCRIPTION, AND CAN'T EVEN BE SEEN IN MY ITEM DESCRIPTION, SO FROM NOW ON IF YOU WANT TO KNOW MORE ABOUT THE ITEM &/OR ARTIST LOOK 'EM UP, ON WIKI, OR OTHER SOURCES ETC. (SORRY 'BOUT THAT!) CLEANING OUT MORE LP'S. SOME FROM THRIFT STORES, SOME FROM MY MUSIC LIBRARY, AND, SOME FROM THE NETWORK I WAS AT. NOTE: I DO NOT ACCEPT "BEST OFFERS" I WANT EVERYONE TO HAVE A FAIR SHOT AT WHAT I AM SELLING. THANKS! I DO COMBINE SHIPPING! THIS IS A PHOTO OF THE ACTUAL ITEM FOR SALE, SORRY IF THE PICTURE(S) ARE A BIT BLURRY OR IF THERE'S A LITTLE GLARE. I HAD A SMALL HEART ATTACK A COUPLE OF YEARS AGO AND AM SLOWLY LETTING GO OF MY ALBUM COLLECTION. ARTIST: BOBBY HACKETT & BILLY BUTTERFIELD FEAT. LUIZ HENRIQUE (GUITAR & VOCALS) TITLE: “BOBBY/BILLY/BRASIL” WHITE LABEL PROMO TRACK LISTING-SEE PHOTOS/BELOW: A1 Dancing In The Dark 2:35 A2 Sunny 2:32 A3 Cherokee (Indian Love Song) 3:01 A4 Quiet Nights (Corcovado) 2:47 A5 Never Ever Leave Me (Nunca Me Deixes) 2:30 A6 Baia 2:52 B1 That's All 2:25 B2 Love Is Here To Stay 2:50 B3 Dawn Comes Again 2:39 B4 A Foggy Day 2:35 B5 Brazil 3:47 RECORD LABEL: VERVE RECORDS CAT.# : V/ 8723 YEAR OF RELEASE: 1968 RECORD CONDITION: THE RECORD IS IN EX/EX- CONDITION, NICE SHINEY BLACK LUSTER. NO MARKS, SCRATCHES, BLEMS OR FINGERPRINTS. BOTH LABELS IN PERFECT CONDITION. THERE'S SOME VERY VERY LIGHT BACKGROUND SOUND MAINLY ON THE LEAD IN GROOVES, NO POPS, CLICKS, OR VISIBLE WEAR. THIS LOOKS AND SOUNDS LIKE ALMOST NEW JACKET CONDITION: THE JACKET IS IN GOOD/GOOD+ CONDITION. NICE CLEAN EDGES, NO WRITING, SEAM SPLITS, BENDS, RIPS ETC. THERE'S A SMALL BEND/CORNER CREASES ON BOTH LEFT CORNERS (SEE PHOTO) THERE'S S TINY DRILL JOLE UPPER RIGHT, DONE BY THE RECORD COMPANY TO DENOTE THIS AS A PROMO COPY. THERE'S OBVIUOS LIGHT WEAR ON THE BACK (SEE PHOTOS) NOTE: WHITE LABLE PROMO WITH THE WORDS “NOT FOR SALE” PRINTED ON BOTH LABELS. SOMEONE WITH A SMALL GREEN INK PEN SEMI-CIRCLED THE SONGS NUMERALS ON EACH SIDE (SEE PHOTOS) ALSO THIS COMES IN IT'S ORIGINAL VERVE RECORDS PAPER INNER SLEEVE IN VG- CONDITION, THERE'S SOME WRITING THAT HAS BEEN CROSSED OUT ON BOTH UPPER LEFT CORNERS (SEE PHOTO) ARTIST INFO- BOBBY HACKETT BIO/INFO- Today we celebrate the birthday of a wiry genius who produced some of the most sublime music that ever sprang from a trumpet or a cornet: Bobby Hackett. Hackett was born into a large family in 1915 in Providence, Rhode Island. By the age of twelve he was making real music on the ukulele, banjo, guitar, violin, and trumpet. He quit high school to become a working musician and played in every club and roadhouse in New England before he came of age. Hackett’s trumpet heroes were Louis Armstrong and Bix Beiderbecke. From Pops, Hackett got an education in hip phrasing and a lifelong love for Dixieland, and he learned volumes about playing the changes and finding the pretty notes from Bix. But as far as the remarkable tone he achieved on the horn is concerned, well, that was all Hackett, and he had it from the start. Hackett went to New York City in 1937 and began a decades-long musical partnership with guitarist and bandleader Eddie Condon. By 1938 Hackett’s reputation was such that he was recruited by Benny Goodman to recreate Beiderbecke’s famous solo on “I’m Coming, Virginia” at Goodman’s historic 1938 Carnegie Hall Concert. The next year the MCA agency asked Hackett to form a big band, but the group never took off and Hackett ended up deep in debt. Dental surgery left him temporarily unable to play his horn, and Hackett joined the Glen Miller band—as a guitarist. The stint with Miller enabled Hackett to get back on his feet financially and to ease back into playing the trumpet again. (That’s Hackett doing the famous trumpet solo on the bridge of Miller’s monster hit, “String of Pearls.”)Capitol eventually got wise and signed Bobby Hackett to his own contract. Hackett released several great albums for the label over the next few years—some romantic albums of his own, some fronting Dixieland groups, and others featuring his own quartet and pianist Dave McKenna. Hackett also recorded and toured with Tony Bennett between 1965 and 1967. Louis Armstrong was quick to tell anyone who would listen that he was Bobby Hackett’s biggest fan. Dizzy Gillespie and Miles Davis revered him, too. Hackett’s playing was relentlessly tasteful and always perfectly suited to the material. He snaked through chord changes like no other, and a beautiful melody never had a better friend. Hackett was a supremely smart player who stuck to the trumpet’s sweet spot—its middle register. (When he once tried to sell one of his horns, he claimed—only half in jest—that the upper register was brand new because it had never been used.) Bobby Hackett is “Mister Music” to me. BILLY BUTTERFIELD BIO/INFO- The great jazz trumpet players all — and deservedly so — have their fan clubs (and sometimes Facebook groups): Louis, Bix, Bobby, Bunny and three dozen others. But some musicians, remarkable players, get less attention: Ray Nance, Jimmie Maxwell, Marty Marsala, Emmett Berry, Joe Thomas come to mind. Then there’s the luminous and rarely-praised Billy Butterfield, who navigated a fifty-year career in small hot groups, in big bands, in the studios, and more: lead and jazz soloist for Bob Crosby, Benny Goodman, and Artie Shaw. When Dick Sudhalter asked Bobby Hackett who was the best trumpeter playing now (circa 1971) Bobby named Billy. And once the big band era ended, other, more extroverted trumpeters got more attention: Harry James, Clark Terry, Doc Severinsen, Dizzy Gillespie, Al Hirt. When I’ve watched Billy in videos, he seems almost shy: announcing the next song in as few words as possible and then returning to the horn. Unlike Berigan, whom he occasionally resembles, he didn’t bring with him the drama of a self-destructive brief life. Finally, and sadly, because he began with Bob Crosby, was an honored soloist at the Eddie Condon Town Hall concerts, and ended his career with a long glorious run with the World’s Greatest Jazz Band (where I saw him) I believe he was typecast as a “Dixieland” musician, which is a pity: he had so much more in him than JAZZ ME BLUES. NOTE: STILL LIMITED INTERNATIONAL SHIPPING. PLEASE CHECK THE SHIPPING TAB TO MAKE SURE I SHIP TO YOUR COUNTRY BEFORE BIDDING. THANKS! ALL INTERNATIONAL SHIPPING GOES EBAY GLOBAL SHIPPING. I DO COMBINE SHIPPING. NOTE: THE SHIPPING PRICE INCLUDES THE COST OF THE LP MAILER. MEDIA MAIL COSTS WENT UP RECENTLY. PLEASE NOTE MY RETURN POLICY! I DO COMBINE SHIPPING………. CHECK OUT MY OTHER AUCTIONS PLEASE PAY FOR ALL ITEMS WITHIN 4 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN ONE WORKING DAYS ONCE PAYMENT IS RECEIVED. NEW NOTE TO ALL POTENTIAL BIDDERS PLEASE! DO NOT BID IF YOU HAVE NO INTENTION OF PAYING FOR AN ITEM YOU MIGHT WIN, INTERNATIONAL BIDDERS TAKE NOTE !!! SHIPPING RATES JUST WENT UP A LITTLE ...JUST A HEADS UP. SHIPPING IS BASED ON THE WEIGHT AND DESTINATION I DO NOT LIKE OPENING UNPAID ITEM CASES BUT I WILL IF YOU NEGLECT TO PAY AND I WILL PUT YOU ON MY “BLOCKED BIDDER” LIST.

Price: 7.99 USD

Location: Los Angeles, California

End Time: 2025-01-11T21:11:05.000Z

Shipping Cost: 5.5 USD

Product Images

BOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LPBOBBY HACKETT & BILLY BUTTERFIELD "BOBBY/BILLY/BRASIL" 1968 EX/VG- WLP JAZZ LP

Item Specifics

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Artist: BOBBY HACKETT & BILLY BUTTERFIELD FEAT. LUIZ HENRIQUE

Record Label: Verve

Case Type: Cardboard Sleeve

Fidelity Level: High-Fidelity

Vinyl Matrix Number: V-8723 SIDE 1 MG-1184

Inlay Condition: Very Good (VG)

Format: Record

Record Grading: Excellent (EX)

Release Year: 1968

Language: English

Record Size: 12"

Style: 1960s, Bossa Nova, Latin Jazz, Samba

Features: THIS RECORD IS OUT OF PRINT

Unit Quantity: 1

Number of Audio Channels: Mono

Speed: 33 RPM

Release Title: BOBBY/BILLY/BRASIL

Color: Black

Material: Vinyl

Catalog Number: V/ 8723

Edition: First Pressing, Promo

Type: LP

Sleeve Grading: Good Plus (G+)

Producer: AL HAM

Era: 1960s

Instrument: Acoustic Guitar, Trumpet

Genre: Jazz

Run Time: SEE ITEM DESCRIPTION

Country/Region of Manufacture: United States

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