1950 Japanese Movie Akira Kurosawa Rashômon DVD9 Collectors Edition English Sub

Description: Tips: Track: Japanese Dolby 1.0, a positive track, and an English Dolby 2.0 comment track Subtitles: Simplified Chinese, traditional Chinese, English, Japanese and Korean. Subtitles can be hidden and switched freely. There are traditional Chinese comment subtitles Media: dvd- 9 Capacity: 7.77 GB Sample disk base: IFPI k122 Special collection: Miss director Akira Kurosawa special: 12 minutes and 55 seconds Akira Kurosawa's movie world: 12 minutes and 32 seconds Special news of Venice Film Festival: 1 minute 04 seconds Trailer: 3 minutes 26 seconds Movie Soundtrack: 17 minutes and 27 seconds Director: Akira Kurosawa Actor: michinoro sanchon, Yoshimura, yoshikazuka, Yoshiyuki Original work: Akutagawa Longzhi Screenwriter: Akira Kurosawa Photograph / image: Ichio Miyagawa Art (Design): Matsuyama Music: Fumio Asaka Editor: Akira Kurosawa Styling: so Matsuyama Place of production: Japan Production time: 1950 Color / black and white: black and white Original language: Japanese Produced by: Daying Co., Ltd Media: DVD-9 Number of discs: 1 Packaging: paper sealed plastic box Weight: 120g Dubbing language: Japanese Supers: Simplified Chinese traditional Chinese English Japanese Korean Video format: MPEG-2 NTSC Audio format: Dolby 1.0 Area code: Zone 6 Product picture ratio: 4:3 Product duration: 1 hour and 28 minutes Domestic publishing house: Xiamen audio and video publishing house General distributor: Guangzhou Boying Culture Development Co., Ltd Copyright No.: XGZ 14-1999-145 Jin Zi No.: Wen Xiang Jin Zi (1999) No. 538 ISRC: CN-E20-00-0010-0/V.J9 Although almost all of Akira Kurosawa's works are unforgettable, the film that has decided his status as a world film master should first be "Rashomon". This is an impressive film that is almost perfect in terms of film achievements. The story takes place in medieval Japan. It is about the violent events described by three participants and a bystander in four different ways. The basic plot of the story is about a samurai and his bride who are attacked by a robber while walking through a forest. The result of the conflict is that the samurai is killed. A trial was going on at the beginning of the film. With regard to the attack, the wife said that the robbers subdued her husband, tied him up and raped her. She testified that the robbers had killed her husband after they had raped her. The robber said that he started to rape a woman, but she did not because she had been conquered by his male charm. He said that later, the wife insisted that he duel with her husband because she felt that one of them should die to protect her reputation. The robber said he killed the samurai in the duel. The samurai was dead, and he made his point through a witch. In this strange and gloomy scene, the samurai testified that after the rape, his wife asked the robber to kill him. When the robber refused to kill the samurai, the wife ran away. The robber untied the samurai and left him alone in the forest. Later, because his wife brought shame on him, he committed suicide. The latter statement was provided by a woodcutter who witnessed the incident. He said that after his wife was raped, his husband initially refused to duel for him because he felt that she had become worthless because of rape. However, the robber finally provoked his husband to duel with him and killed him in the duel. In the film, Akira Kurosawa explores the nature of objective truth and its relationship with subjective truth in a very unique way. In the witch's passage, a woman sits cross legged in an open courtyard, relaying the words of the dead warrior. This scene is an outstanding example of Akira Kurosawa. When the words of the dead are uttered through the woman's mouth, the camera surrounds the shooting courtyard with continuous motion lens, accompanied by the crackling sound of sticks and bones as magic tools. The high contrast black-and-white photography is very expressive, making the smooth camera movement more perfect. Kabuki style exaggerated performances become credible. Music and sound effects produce speed and a tense undercurrent, strengthening the drama of the environment. In this paragraph, Akira Kurosawa moves the whole series of elements necessary to create a film, and successfully expresses many complex and intrinsically related aspects of his subject matter. In addition, the motion scenes of the film shooting and running in some forests also left a very deep impression on people. The speed and smoothness of the film are really beyond the reach of today's films with better equipment and technology.

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